GYPSY by Suzanne Vega Capo at 2nd fret. Quarter note = 147 (approx) Key: 0h2 - hammer-on to second fret from open string % - ¨D.S. al coda¨ symbol @ - Coda symbol |[ - Beginning of a section to be repeated ]| - Repeat the section, starting from ¨|[¨ || - End of song INTRO SECTION:
E-----------------|-----------------|---------3-------|---------3-------| B-----------3-----|---3-------3-----|---3-------3-----|---3-------3-----| G-------0-------0-|-------0-------0-|-------0-------0-|-------0-------0-| D-----0-------0---|-----2-------2---|-----0-------0---|-----0-------2---| A-----------------|---------3-------|-2---------------|---------3-------| E-3-------2-------|-0---------------|---------2-------|-3---------------| 1 2 3 4 |-----------------|------------------|-3---------------|-3-------2-------| |---3-------3-----|---3--------3-----|---3------3------|---3-------3-----| |-------0-------0-|-------0--------0-|-------0------0--|-------2-------2-| |-----0-------0---|-----2--------2---|-----2------2----|-----0-------0---| |-----------------|---------0h2------|-3-------3-------|-0---------------| |-3-------2-------|-0----------------|-----------------|-----------------| 5 6 7 8 |-3-------2h3-----|-3----------------|-3----------------| |---3-------3-----|---3--------3-----|---3--------3-----| |-------2-------0-|-------0--------0-|-------0--------0-| |-----0-------0---|-----0--------0---|-----0--------0---| |-----------------|---------0h2------|---------0h2------| |-----------------|-3----------------|-3----------------| 9 10 11 VERSES: % |[-3---------------|-----------------|-3---------------|------------------| |[---3-------3-----|---3-------3-----|---3-------3-----|---3--------3-----| |[-------0-------0-|-------0-------0-|-------0-------0-|-------0--------0-| |[-----0-------0---|-----2-------2---|-----2-------2---|-----0--------0---| |[-----------------|---------2-------|-3-------3-------|---------0h2------| |[-3-------2-------|-0---------------|-----------------|-3----------------| |-3---------------|-----------------|-3---------------|---------2h3-----| |---3-------3-----|---3-------3-----|---3-------3-----|---3-------3-----| |-------0-------0-|-------0-------0-|-------0-------0-|-------2-------0-| |-----0-------0---|-----2-------2---|-----2-------2---|-----0-------0---| |-----------------|---------2-------|-3-------3-------|-0---------------| |-3-------2-------|-0---------------|-----------------|-----------------| |-3---------------|-----------------|-3---------------|------------------| |---3-------3-----|---3-------3-----|---3-------3-----|---3--------3-----| |-------0-------0-|-------0-------0-|-------0-------0-|-------0--------0-| |-----0-------0---|-----2-------2---|-----2-------2---|-----0--------0---| |-----------------|---------2-------|-3-------3-------|---------0h2------| |-3-------2-------|-0---------------|-----------------|-3----------------| |-3---------------|-----------------|-3-------3-------|------------------| |---3-------3-----|---3-------3-----|---3-------3-----|---3--------3-----| |-------0-------0-|-------0-------0-|-------0-------0-|-------0--------0-| |-----0-------0---|-----2-------2---|-----2-------0---|-----0--------0---| |-----------------|---------2-------|---------0-------|---------0h2------| |-3-------2-------|-0---------------|-3---------------|-3----------------| CHORUS: |-0-------0-------|-2-------3-------|-0-------0-------|-2-------3-------| |---1-------0-----|---3-------3-----|---1-------0-----|---3-------3-----| |-------0-------0-|-------2-------0-|-------0-------0-|-------2-------0-| |-----2-------2---|-----0-------0---|-----2-------2---|-----0-------0---| |-0-------0-------|-0---------------|-0-------0-------|-0---------------| |-----------------|-----------------|-----------------|-----------------| to coda @ |-0-------0-------|-2-------3-------|-0-------0-------|-2-------3-------| |---1-------0-----|---3-------3-----|---1-------0-----|---3-------3-----| |-------0-------0-|-------2-------0-|-------0-------0-|-------2-------0-| |-----2-------2---|-----0-------0---|-----2-------2---|-----0-------0---| |-0-------0-------|-0---------------|-0-------0-------|-0---------------| |-----------------|-----------------|-----------------|-----------------| ____________________ |1. | | | |-3---------------|-----------------|-----------------|------------------]| |---3-------3-----|---3-------3-----|---3-------3-----|---3--------3-----]| |-------0-------0-|-------0-------0-|-------0-------0-|-------0--------0-]| |-----0-------0---|-----2-------2---|-----0-------0---|-----0--------0---]| |-----------------|---------3-------|-2---------------|---------0h2------]| |-3-------2-------|-0---------------|---------2-------|-3----------------]| __________________________________________________________________________ |2. |3. D.S. al coda | | % |------------------|-3---------------| ]|------------------| |---3--------3-----|-----------3-----| Repeat bars ]|---3--------3-----| |-------0--------0-|-------0-------0-| 6-11 of intro ]|-------0--------0-| |-----0--------0---|-----0-------0---| ]|-----0--------0---| |---------0h2------|-----------------| ]|---------0h2------| |-3----------------|-3-------2-------| ]|-3----------------| ENDING SECTION: Coda @ |-----------------| |-3---------------|-3-------2-------| |---3-------3-----| Repeat bars |---3-------------|---3-------3-----| |-------0-------0-| 2-6 of intro |-------0---0---0-|-------2-------2-| |-----0-------0---| |-----2-------2---|-----0-------0---| |-----------------| |-3-------3-------|-0---------------| |-3-------2-------| |-----------------|-----------------| |-3-------2h3-----|-----------------|-3---------------|-----------------| |---2-------3-----|---3-------3-----|---3-----3-------|---3-------3-----| |-------2-------0-|-------0-------0-|-------0-------0-|-------0-------0-| |-----0-------0---|-----0-------0---|-----2-------2---|-----0-------0---| |-----------------|-----------------|---2-----3-------|-2---------------| |-----------------|-3-------2-------|-0---------------|---------2-------| |---------3-------|| |-----------------|| |-----------------|| |-----------------|| |-----------------|| |-3---------------|| Tab notes: 1. I keep my left pinky and little fingers anchored on the bottom two strings for most of the song. The places where they should be removed and put elsewhere should become obvious when you start to learn the song. 2. In the chorus section, the second part of the 2nd (and 4th, 6th, and 8th) bar should be played as the D chord; the 5th note in the bar is played by putting down the pinky finger on the 3rd fret. ****************************************** TIMING AND MELODY 1st VERSE: (One note shown per syllable, even if note lasts for more than one eighth.) ____________________________________________________________________ | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 | 1. You .. d d c b a g g _____________________________________________________________________ | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 | pic-tures.. a g g f# g g _____________________________________________________________________ | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 | cof - fee ..___ d d d c b a g g g g _____________________________________________________________________ | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 | and .. g g g g a g _____________________________________________________________________ | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 | night .. b a g g b a g g _____________________________________________________________________ | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 | rec- og-nized .. a g g f# g g _____________________________________________________________________ | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 | stran- gers .. d d d b c b b b _____________________________________________________________________ | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 | part .. d b b c f# g c CHORUS: (One note shown per syllable, even if note lasts for more than one eighth; except for the sung word ¨Oh.¨) _____________________________________________________________________ | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 | _______ hold___ .. c b a g b a a _____________________________________________________________________ | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 | will ... g g g a a _____________________________________________________________________ | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 | Curl .. c b a g b a a a a _____________________________________________________________________ | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 | hear ..._____ a g g a a b_______ _____________________________________________________________________ | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 | _________________(¨Oh.¨ continued - sung)__________________________ _b a g_______________f# g_____g_______________________________ ___________________________________ |(lead-in to next verse...) | __________________________________|_________________________________| | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 ]| _____(¨Oh.¨ continued - sung)____________ 2. You’re the _g_______________________f# g_____g_____ g g END OF LAST CHORUS ROUND AND SONG ENDING: (Same notation as above.) _____________________________________________________________________ | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 | heat. Oh,_____________________________ a g_______________f#______g e___ (One octave higher...) _____________________________________________________________________ | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 | _________________(¨Oh.¨ continued - sung)__________________________ _e d_____________________________d c b c b_______a b___ (One octave higher....) (Back down now.) _____________________________________________________________________ | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 | _(¨Oh.¨ contd)_ oh._______________________________________ _b_____________ (rest) c_________c b___________b a___________ _____________________________________________________________________ | 8 8 8 8 8 8 8 8 | 8 8 8 8 8 8 8 8 | _________________(¨oh.¨ continued - sung)__________________________ _a g_________________ f# g_____g_______________________________ ___________________________________ | 8 8 8 8 8 8 8 8 | ____(¨oh.¨ continued - sung)____ _g_____________ f#_____________ Timing and Melody Notes: 1. There are some slight variations in melody for each verse, not shown above because I don’t have them transcribed. You’ll have to hear the recording or put changes in as you see fit. The melody only spans a small range, which suits Suzanne Vega’s voice nicely, but it can sound a bit mono- tonic to my ear when I sing it, unless I spice it up a bit. It doesn’t damage the song; quite the contrary. 2. Sing each ¨Oh.¨ as one continuous word, i.e., all notes are slurred. Note that there are two ¨Oh.¨s in the ending, separated by a quarter-note rest.
Alternative guitar chords and tabs for Gypsy by Suzanne Vega