Tell Her What I Said The Sadies, Darker Circles Am Em | Em Em G Em I look so much older D Bm Most times the pills take away all my dreams C G And there?s so much I never told her Em D Her eyes are so pretty they can?t even see Am Em That it?s more than I?m used to G D Lately it all weighs so heavy on me Am Em So I do what I have to
G D The little that?s left of me gets on all right Am Em But I?m too sick and tired to put up a fight G D I turn to oblivion night after night Am I wait right here Am Smoking and drinking Am And smoking and C* C C | C C | C C | C C | Am Em | Em Em [2x] Dropping G Em When the mind is forsaken D Bm The body?s abandoned and the spirit turns black C G If I never awaken Em D At least then I?ll have all the answers I lack Am Em You?re the last one I?ll turn to and G D Someday I promise that I?ll get you back Am Em And I?ll do what I have to G D The little that?s left of me gets on all right Am Em But I?m too sick and tired to put up a fight G D I turn to oblivion night after night Am I?ll wait right here Am Smoking and drinking Am And smoking and C* C C | C C | C C | C C | Am Em | Em Em Dropping C C | C C | C C | C C | Am G [mandolin: G G | G G/F# | Em Em | G G | C C | G G/F# | Em Em | G G | C C] G G/F# Em We all thought we?d be someone G C One man?s promise means nothing G/F# Against the will of his god Em C You can?t serve two masters G No matter the cause G F# Em We all thought we were someone G C Will you take redemption G/F# Em Or watch me fall down from grace? G C I?ve seen all seven devils G And I?m not afraid G/F# Em We all thought we were somewhere Em Em | G G | C C | G G/F# | Em Em | G G | C C G G/F# Em We all thought we?d be someone Em Em | G G | C C | G G/F# | Em Em | G G | C C | G G/F#m | Em . . . *you can play any C here; I have not the competence to figure out what dallas or travis is actually doing, but to imitate it I go straight from 1st position Am to a partial C at the 8th position (see below), and noodle around on that and it sounds good enough. where the song shifts, around the mandolin break, you abbreviate that progression 2nd time around and go right to G. the mandolin break [in brackets] can be skipped if no mandolin is present, but it helps shift into the walkdown patterns that I?m indicating with the G/F#--which is a walkdown from G to Em. I can only approximate those; play along with the song to get the timing. I love this band and this is one of their great songs. thanks to my friend jp who gave me the chords to start with. E----0--------------| B------8------------| G--------9----------| D----------10-------| A----X--------------| E----X--------------|