SHAKE (Bassline) As recorded by Otis Redding (From the 1965 Album OTIS BLUE/OTIS REDDING SINGS SOUL) Words and Music by Sam Cooke Arranged by Otis Redding & Steve Cropper Transcribed by Slowhand Gtr I (E A D G) - 'Donald "Duck" Dunn - Bass' Intro Q=168 4/4 Gtr I |3| H Q Q E q Q H W q Q H W |-------------|------------|----------|------------|------| |-------------|------------|----------|------------|------| |-----------x-|-3----------|----------|-3----------|------| |-------------|------------|----------|------------|------|
|3-| q Q H W Q +E E +Q Q +E E +Q E Q Q |------------|----------|------------------|-------------------|| |------------|----------|------------------|-------------------|| |-3----------|----------|-3--(3)-1-(1)--3--|-(3)-1-(1)---1--2--|| |------------|----------|------------------|-----------3-------|| 1st - 4th Verses $ $$ |3| |3| |3| |3| |3| Q Q Q E Q Q Q Q E Q Q Q Q E Q Q Q Q E Q E ||---------------|--------------|--------------|----------------| ||o--------------|--------------|--------------|-------------3--| ||o-3--3--3-3-3--|-3--3--3-3-3--|-3--3--3-3-3--|-3--3--3-3-3----| ||---------------|--------------|--------------|----------------| |3| |3| |3| |3| |3| |3| +Q Q Q E Q Q Q Q E Q E +Q Q Q E Q Q Q Q E Q E |----------------|---------------|----------------|---------------| |-(3)--3--3-3-3--|-3--3--3-3-3---|----------------|-------------5-| |----------------|-------------3-|-(3)--3--3-3-3--|-3--3--3-3-3---| |----------------|---------------|----------------|---------------| To Coda |3| |3| +Q Q Q E Q Q Q Q E Q q Q H W |----------------|--------------|------------|-------| |-(5)--5--5-5-5--|-5--5--5-5-5--|------------|-------| |----------------|--------------|-3----------|-------| |----------------|--------------|------------|-------| To Dbl. Coda q Q H W q Q H W |------------|----------|------------|-------| |------------|----------|------------|-------| |-3----------|----------|-3----------|-------| |------------|----------|------------|-------| 1. |3-| Q +E E +Q Q +E E +Q E Q Q |------------------|--------------------|| |------------------|-------------------o|| |-3--(3)-1-(1)--3--|-(3)-1-(1)---1--2--o|| |------------------|-----------3--------|| 2. |3-| Q +E E +Q Q +E E +Q E Q Q |------------------|-------------------|| |------------------|-------------------|| |-3--(3)-1-(1)--3--|-(3)-1-(1)---1--3--|| |------------------|-----------3-------|| Bridge |3| |3| |3| |3| Q E Q Q Q Q Q Q E Q Q E Q Q Q Q Q Q E Q |--------------|--------------|--------------|-----------0--| |-3-3----------|-3--1--0-0----|--------------|----0--2-2----| |-----0--1--3--|-----------1--|-3-3----1--2--|-3------------| |--------------|--------------|-----3--------|--------------| D.S. al Coda |3| |3-| Q E Q Q Q Q Q Q Q Q +E E +Q Q +E E +Q E Q Q |--------------|-------------|------------------|-------------------|| |-3-3----------|-3-----3--4--|-5--(5)-3-(3)--5--|-(5)-3-(3)---3--5--|| |-----0--1--3--|----3--------|------------------|-----------5-------|| |--------------|-------------|------------------|-------------------|| & H H H H H H H H |-----------|-----------|-----------|-----------| |-----------|-----------|-----------|-----------| |-3---------|-3---------|-3---------|-3---------| |------3----|------3----|------3----|------3----| Interlude |3-| H H W Q +Q E +Q Q Q Q Q Q |-----------|----------||------------------|-------------| |-----------|----------||------------------|-3-----3-----| |-3---------|----------||-3--(3)-1-(1)--0--|----3-----5--| |-----------|----------||------------------|-------------| |3| Q Q Q Q Q Q Q Q Q E Q Q Q Q Q Q Q |-------------|-------------|--------------|-------------| |-------------|-------0--2--|-3-3----------|-3-----3--4--| |-3-----1--2--|-3--0--------|-----0--1--3--|----3--------| |----3--------|-------------|--------------|-------------| D.S.S. al Dbl. Coda && |3-| Q +E E +Q Q +E E +Q E Q Q q Q H W |------------------|-------------------||------------|------|| |-5--(5)-3-(3)--5--|-(5)-3-(3)---3--5--||------------|------|| |------------------|-----------5-------||-3----------|------|| |------------------|-------------------||------------|------|| Outro |3-| |3-| |3| |3| Q +Q E +Q E Q E Q Q Q Q Q Q E +Q Q Q Q Q Q |--------------------|-------------|----------------|-------------| |--------------------|-------------|----------------|-------------| |-3--(3)-1-(1)-1-0-0-|-1-----1--2--|-3----1-(1)--0--|-3-----1--2--| |--------------------|----3--------|----------------|----3--------| |3| Q Q Q Q Q Q Q E Q Q Q Q Q Q Q Q Q |-------------|--------------|-------------|-------------| |-------------|--------------|-------------|-------------| |-3-----1--2--|-3-----1-1-2--|-3--3-----1--|-3--3-----1--| |----3--------|----3---------|-------3-----|-------3-----| |3| |3| |3| Q Q Q Q Q Q Q E Q Q Q Q E Q Q Q Q E Q |-------------|--------------|--------------|--------------*| |-------------|--------------|--------------|--------------*| |-3--3-----1--|-3--3------1--|-3--3------1--|-3--3------1--*| |-------3-----|-------3-3----|-------3-3----|-------3-3----*| Duration 🏷Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature 🏷Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic n: - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc 🏷Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths Shake! Everybody say it!: Shake! Early in the morning: Shake! Late in the evening: Shake! In the midnight hour: Shake! When the time's going bad, now: Shake! Shake with the feeling! Shake with the feeling! Listen while I'm talkin' to you now Tell you what I'm gonna do now There's a new thing going around now I'll tell what to put down now You move your body all around And just shake That's the way you do it Shake, Shake, Shake it baby Shake it like a bowl of soup Let your body loop de loop Put your hands on your hip Come on and let your backbone slip Move your body like your hip And just shake! Shake early in the morning Shake early in the evening A Ring-A-Ling-a-Ling Honey, Shakin' is the greatest thing But if you really roll Gotta do the thing with soul! Shake shake with all your might now If you do it, do it right now Put your hands on your hip, yeah Come on and let your backbone slip Move your body like your hip And just shake God have mercy now!: Early in the morning Early in the evening All night long, y'all! If you really want to roll Gotta do the thing with soul! Shake shake with all your might If you do it, do it right Let your body loop de lite Shake! Everybody say it, Shake! One more time, Shake! Everybody louder, Shake! One more time, now, say Shake!