FA-FA-FA-FA-FA (SAD SONG) (Bassline) As recorded by Otis Redding (From the 1966 Album COMPLETE & UNBELIEVABLE: THE OTIS REDDING DICTIONARY OF SOUL) Words and Music by Otis Redding & Steve Cropper Transcribed by Slowhand Gtr I (E A D G) - 'Donald "Duck" Dunn - Bass' Intro Q=98 4/4 Gtr I E Q. E Q. E Q. E Q. E Q. E Q. E Q. e e Q |---------------|---------------|---------------|---------------|| |---------------|---------------|---------------|---------------|| |-1-1----1-1----|-1-1----1-1----|---------------|---------------|| |---------------|---------------|-3-3----3-3----|-3-3----3-3----||
Chorus Q. E +E E +E E Q. E +E E E E |---------------------|-------------------| |------/5-(5)-3-(3)-0-|------/5-(5)-3-----| |-1-------------------|-1-------------5-3-| |---------------------|-------------------| Q. E +E E +E E E Q E +E S S E E |---------------------|--------------------| |------/5-(5)-3-(3)-0-|-1-1----------------| |-1-------------------|------1-(1)-------0-| |---------------------|------------1-1-3---| Q. E +E E E E Q. E +E E E E |-------------------|-------------------| |------/5-(5)-3-----|------/5-(5)-3-----| |-1-------------5-3-|-1-------------5-3-| |-------------------|-------------------| Q. E +E E E E Q. E +E S S E E |-------------------|--------------------| |------/5-(5)-3---3-|-1------------------| |-1-------------5---|------1-(1)---------| |-------------------|------------1-1-3-5-| Q. E +E E E E Q. E +E E E E |-------------------|-------------------| |------/5-(5)-3-----|------/5-(5)-3-----| |-1-------------5-3-|-1-------------5-3-| |-------------------|-------------------| Q. E +E E E E E E E E +E S S E E |-------------------|---------------------|| |------/5-(5)-3---3-|-1-1-----------------|| |-1-------------5---|-------1-(1)-------0-|| |-------------------|-------------1-1-3---|| 1st & 2nd Verses $ Q. E E E E E Q. Q Q E Q. E +E E E E Q. E +E E E E |----------------|--------------|------/5-(5)-3-----|--------------------| |------------0-2-|-3-------3--1-|-1-------------5-3-|------/5-(5)-3------| |-1----1---1-----|------3-------|-------------------|-1-------------5-0--| |--------1-------|--------------|-------------------|--------------------| Q. E +E E E E Q. E +E E E E |-------------------|------/7-(7)-5-----| |------/5-(5)-3-----|-3-------------7-3-| |-1-------------5-3-|-------------------| |-------------------|-------------------| Q. E +E E E E Q. E +E E E E |------/5-(5)-3-----|--------------------|| |-1-------------5-3-|------/5-(5)-3------|| |-------------------|-1-------------5-3--|| |-------------------|--------------------|| Chorus Q. E +E E E E Q. E +E E E E |-------------------|-------------------| |------/5-(5)-3-----|------/5-(5)-3-----| |-1-------------5-3-|-1-------------5-0-| |-------------------|-------------------| To Coda Q. E +E E E E E E E E +E S S E E |--------------------|----------------------| |------/5-(5)-3---3--|-1-1------------------| |-1-------------5----|-------1-(1)-------0--| |--------------------|-------------1-1-3----| Q. E +E E E E Q. E +E E E E |-------------------|-------------------| |------/5-(5)-3-----|------/5-(5)-3-----| |-1-------------5-3-|-1-------------5-0-| |-------------------|-------------------| D.S. al Coda Q. E +E E E E E E E E +E S S E E |-------------------|-----------------------|| |------/5-(5)-3---3-|-1-1---1-(1)-1-1-------|| |-1-------------5---|-------------------0---|| |-------------------|-----------------3-----|| Bridge & E E E E +E S S E E Q E E Q E E Q E E Q E E Q E E Q E E |---------------------||---------------|---------------|---------------| |-1-1-----------------||------0-3--3-3-|------0-1--1---|------0-3--3---| |-------1-(1)-------0-||-1--1----------|-1--1--------3-|-1--1--------3-| |-------------1-1-3---||---------------|---------------|---------------| Q E E Q E E Q E E Q E E Q E E Q Q Q E E Q E E |---------------|---------------|--------------|----------------| |------0-1--1---|------0-3--3---|------0-1--1--|------0-3--3----| |-1--1--------2-|-1--1--------3-|-1--1---------|-1--1--------3--| |---------------|---------------|--------------|----------------| Interlude Q E E Q E E Q. E Q E E Q. E Q Q |---------------||---------------|--------------| |------0-1--1---||---------------|--------------| |-1--1--------2-||-1----1------1-|-1----1-------| |---------------||--------1--3---|--------1--2--| Q. E Q. E Q. E e e Q |---------------|-----------------|| |---------------|-----------------|| |---------------|-----------------|| |-3----3-3----3-|-3----3-3-3------|| Outro Q. E +E E E E Q. E +E E E E ||--------------------|-------------------| ||o------/5-(5)-3-----|------/5-(5)-3-----| ||o-1-------------5-3-|-1-------------5-0-| ||--------------------|-------------------| Q. E +E E E E E E E E +E S S E E 3x |-------------------|-----------------------|| |------/5-(5)-3---3-|-1-1------------------o|| |-1-------------5---|-------1-(1)-------0--o|| |-------------------|-------------1-1-3-----|| Duration 🏷Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature 🏷Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc 🏷Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths