Build God Then Well Talk chords by Panic! At The Disco (Ver. 2)

Hello, this is my first tab. I made it cause i've trawled the internet trying to
find an actual set of chords to this song, with no prevail. All the ones I found
are bad - I guaruntee mine at least fits with (most) of the song...& i'm sorry if it doesnt (:

- This is chords, not tabs

- If you're clever enough, you can use these chords to make up your own arpeggios for this

- These chords work for Piano, Keyboard, Guitar.

- You'll have to improvise rhythm, where the chords are played ect...but that's
what makes your way of playing unique ;)

- If you have no idea what F# aug is/cba to play it, just swap it for F#

VERSE:

Bm      F# aug      D     E    G   Bm    E
It's these substandard motels on the (lalalalala) corner of 4th and Fremont
 F#
Street.
Bm       F#aug        D     E (make this E 'fancy')
Appealing only because they're just that un-appealing
G        Bm       E       F#
Any practiced catholic would cross themselves upon entering.
Bm     F#aug       D     E    G  Bm   E  F#
The rooms have a hint of asbestos and maybe just a dash of formaldehyde,
Bm     F#aug    D     E      G   Bm    E   F#
And the habit of decomposing right before your very (lalalala) eyes.

CHORUS 1:
  F#          Bm
(Along with the people) inside
D   G   F#  Bm  D   G  F#
What a wonderful caricature of intimacy
Bm   D   G   F#  Bm     D  G  F#
Inside, what a wonderful caricature of intimacy

BAND QUIETS:

G               Bm
Tonight tenants range from: a lawyer and a virgin
G                D    F#
Accessorizing with a rosary tucked inside her lingerie

BAND BACK IN:

G        Bm     G     Bm
She's getting a job at the firm come Monday.
G        Bm     E     F#
The Mrs. will stay with the cheating attorney
Bm      F#aug     D     E
moonlighting aside, she really needs his money.
    G    Bm    D   F#
Oh, wonderful caricature of intimacy.

F#   F#(Pianos/keyboards do an extra note ontop on the second 'yeah')
Yeah (Yeah)

VERSE:

Bm F#aug     D      E     G     Bm     E
  And not to mention, the constable, and his proposition, for
  F#  Bm
that "virgin"
 F#aug    D     E     G     Bm       E
Yes, the one the lawyer met with on "strictly business" as he said to the
F#
Mrs.
Bm    F#aug      D     E   G    Bm      E
Well, only hours before, after he had left, she was fixing her face in a
F#
compact.
Bm    F#aug  D    E   -quiet-
There was a terrible crash (There was a terrible crash)
Bm    F#aug   D            E       G     Bm
Between her and the badge, she spilled her purse and her bag, and held
   E     F#   D  F#
a "purse" of a different kind.

F#        Bm  D
(Along with the people) inside
    G   F#  Bm    D  G  F#
What a wonderful caricature of intimacy
Bm  D     G  F#  Bm     D G  F#
Inside, what a wonderful caricature of intimacy

Gm7 (Or play F#aug, or even F#)
There are no...

CHORUS 2:

G       Bm           G
Raindrops on roses and girls in white dresses.
           D F#
It's sleeping with roaches and taking best guesses
       G   F#aug   D        E
At the shade of the sheets and before all the stains
G     Bm      E      F#
And a few more of your least favorite things.

G      Bm             G
Raindrops on roses and girls in white dresses
          D  F#          G
It's sleeping with roaches and taking best guesses
(---overlap---)  G F#aug    D       E
At the shade of the sheets and before all the stains
G     Bm      E       F#
And a few more of your least favorite things.

Bm  D    G   F#  Bm     D G  F#
Inside, what a wonderful caricature of intimacy
Bm  D    G   F#  Bm     D G  F#
Inside, what a wonderful caricature of intimacy

G      Bm             G
Raindrops on roses and girls in white dresses
          D  F#          G
It's sleeping with roaches and taking best guesses
(---overlap---) G F#aug    D       E
At the shade of the sheets and before all the stains
G     Bm      E       F#
And a few more of your least favorite things.

G      Bm             G
Raindrops on roses and girls in white dresses
          D  F#          G
It's sleeping with roaches and taking best guesses
(---overlap---) G  F#aug    D       E
At the shade of the sheets and before all the stains
G     Bm      E       F#
And a few more of your least favorite things.



Okay so it looks really complicated. I assure you it isn't - the rhythm throughout
the song is a chord every beat, it may not look like that though, as I've put the
chords over the top of the exact place where they change, in relation to the
words. Play it along to the track to get used to it. THATS ALLLL HOOMMIIEEEZZZ